Do we dare to watch? Do we dare to look at women’s brains? No matter how ambitious, how whimsical, how inclusive or exclusive, how morbid or light, how vapid or cerebral? Are we willing to embrace the cynicism? The bluntness?
“This year’s Film Prize films were amazing, so Matteo and the cast and crew of WE GO ON should be incredibly proud to have won our $10,000 prize,” said Gregory Kallenberg, founder and executive director of the Film Prize Foundation. “The Memphis Film Prize has, once again, shown that Memphis is an upcoming indie film capital. We couldn’t be prouder of Matteo and of this city for helping to make this event so successful.”
“This year’s selections feature stories and characters that are both timely and easily relatable, while delivering a unique and bold take, leading to films that feel anything but familiar,” said Tallgrass Film Festival Programing Director Nick Pope. “Ultimately these are films about redemption and self-discovery in a world that can be messy and unpredictable, but also rewarding and surprising. We’re honored to be showcasing these stories to Wichita audiences.”
aGLIFF Program Director Jim Brunzell, said, “Working non-stop for the past eight months, attending various film festivals, doing endless research and watching countless films, celebrating this year’s aGLIFF’s anniversary, we’ve worked extremely hard in making sure we’re delivering something a little extra for our dedicated members, patrons, and film fans. This being our 30th year, this has made us happily dig a little deeper to create some special moments for everyone – whether they have come to aGLIFF for years now, or they are just discovering us after all this time.
Kickstarter is working with Factory 25 on the project as well as to help spread the word about the re-release of the film’s 25th Anniversary this year (first ever digital). Apparently, the only archival b&w print of the film had been damaged, but now fans of the film and the filmmaker can have a hand in restoring the damaged print and re-releasing it.
Dim the Fluorescents is officially on my list of per-annum must-watch with a pint of ice cream films of the “essential popular feminist” canon that manage to blend this kind of messaging with a compelling narrative. Not because it doesn’t transcend the boundaries of Hollywood to be in essence a work of contemporary art film or an underground film (it does).
Savannah Bloch ‘s AND THEN THERE WAS EVE Opens the Women Texas Film Festival presented
Thanks to the Dallas Film Society’s Movie Madness Marathon fundraiser at Studio Movie Grill and the the wonderful Dallas Asian Film Festival, I’ve had a rare streak of actually seeing a lot a films in the theater.
How Kotzamani’s symbols in LIMBO are knit together in a tapestry that portrays the mystery that is woman between burned virgins, male anger, and a whale that loses whole humans in its belly as a pack of young boys ponder it is nothing less than masterful storytelling that equally enraptures the viewer’s emotions and senses.
The Inside the Loop Film Festival today announced a Call for Entries for the inaugural edition of the film festival which will take place at the Sharonville Cultural Center in Sharonville, Ohio on October 6-8.
