John Wildman

Dan Wingate’s KAYE BALLARD – THE SHOW GOES ON Launches Oxford Film Fest’s 12th Week of Programming focuses on women and doubles the fun at the drive-in

Oxford Film Festival Executive Director Melanie Addington said, “We’ve decided to ramp up in our last 6 weeks of the virtual festival with more Q&As and titles each week while also launching a second drive in location in Water Valley. This year’s big experiment has proven that one thing remains true – people love movies and we feel so lucky to be able to provide safe ways to still enjoy them this year.”

Oliver Mays’ drama BITTER FLOWERS launches CineCina; debuts mobile phone film festival CineCina iFest

CineCina Film Festival Co-Director of Programming Frank Yan, said, “The last decade has solidified how much we all rely on our mobile devices. For most of us, the small screen of our phones has become the most essential interaction tool. At the same time, film, while being an art form created for the big screen, has found a home on our phones just as it has on big screen televisions, desktop and laptop computers.

Executive Director Melanie Addington of Oxford Film Festival announces 2021 dates and plans, decides to pass on theaters for rest of 2020

The Oxford Film Festival announced the dates for next year’s edition of the popular and critically-acclaimed film festival, which will take place March 24-28, 2021. The current plans for that upcoming edition of the film festival will feature a hybrid approach including virtual and drive-in presentations, as well as the prospect of returning to theaters. The call for entries on Film Freeway is open with the early bird deadline set for September 30.  

Dawn Porter’s JOHN LEWIS: GOOD TROUBLE leads Oxford Film Festival’s 11th Weekly Fest delivers politics, activism, and big personalities

Oxford Film Festival Executive Director Melanie Addington said, “John Lewis, Ai Weiwei, and Olympia Dukakis would be the guests at one of those dream dinner parties one might imagine having. Well, we can’t make that happen for obvious reasons, but we can feature films about their amazing and entertaining lives and exploits. They also happen to be important voices, which is something we will also highlight with two new shorts packages which shine a light on Mississippi issues in particular. Finally, it’s a great week for families at OFF to the DRIVE IN with RAIDERS OF THE LOST ARK, PICTURE CHARACTER, and, of course, the launch of our new screen in Water Valley with FROZEN. Load up the mini-van!”

Patricia Velásquez Guzmán’s APEGO Opens Austin’s Cine Las Americas Announces film lineup for CLA2020 Virtual Showcase celebrating Latinx and Indigenous filmmakers

Executive Director Jean Anne Lauer said, “This presentation of a virtual showcase of films is a testament to the dedication of our staff to find a way forward and continue to foster connections between our Latinx filmmakers as well as those of Indigenous heritage and Texas audiences – even if we can’t do so in person.

Derek Horne curates Film Festival Alliance and Theatrical-At-Home celebrate Pride Month with 3rd Film Festival Day’s RAINBOW RETROSPECTIVE: A DECADE OF QUEER COMEDY

“Our Film Festival Days have really shown us, our member festivals, and filmmakers alike how we now have the opportunity to shake up what traditional film distribution look like. The last few months have exposed many cracks in the system and now is a time when (if we collaborate and support one another) we can hopefully make changes for the better in support of both independent artists and exhibitors,” said FFA Executive Director Lela Meadow-Conner. “We’re thrilled that Derek curated this line-up of some of the funniest queer short films from the last decade, and look forward to hearing him moderate the Q&A with the filmmakers – just like at a film festival!”

Mindy Bledsoe’s THE IN-BETWEEN Opens Oxford Film Festival’s 10th Weekly Virtual Fest ; OFF to the DRIVE IN delivers the scares with NIGHT OF THE LIVING DEAD

Executive Director Melanie Addington said. “ARMY OF LOVERS IN THE HOLY LAND and ELLA FITZGERALD: JUST ONE OF THOSE THINGS are inspiring documentaries that are a vivid reminder of why art can change the world. Between that and NIGHT OF THE LIVING DEAD, which is one of the all-time drive-in classics, to the weekly virtual festival continuing with award winning films such as THE IN-BETWEEN, last year’s winners and top finishers from the Memphis and Louisiana Film Prize competitions, and THE EVENING HOUR, which played at Sundance, this is an action-packed week.”

FILMS GONE WILD: On this Juneteenth, Dallas International Film Festival Artistic Director James Faust gives a first person (and family) account of a life lived

When you reach out to your friends of color and ask how they are doing…remember… you may be opening a box of systemic trauma that they don’t want to, or are ill equipped to deal with. Rancor and rage may come your way. I ask you to listen ..really listen… For every step forward…there’s a George Floyd. For every success story, there’s a Trayvon Martin. For every…you know what…it’s too much…there are too many. My mother shouldn’t have to check in on me and remind me how to act in front of cops.. I’m 50!

David Midell’s THE KILLING OF KENNETH CHAMBERLAIN Opens Oxford Film Festival; music, Juneteenth, and Pride month with their 9th Weekly Virtual Fest and adds some GREASE to the Drive In

Executive Director Melanie Addington said. “This week’s lineup includes some of the most powerful political commentary from THE KILLING OF KENNETH CHAMBERLAIN at the virtual fest to WIN, LOSE OR DRAW STRAWS at the drive in, but we also intermixed with some fun and nostalgia because great movies don’t just move you emotionally but sometimes just in song and dance like GREASE. But also, we wanted to make sure that our community is supported as they have supported us so we also launched Pet Fest, Music Fest and partnered with the Juneteenth Committee for the Miss Juneteenth showing on June 21 to make sure that Oxford is supported.”