Shorts and to the Point: Annabelle Dexter-Jones CECILE ON THE PHONE
Annabelle Dexter-Jones ’ CECILE ON THE PHONE is described in the Sundance Program Guide as:
Annabelle Dexter-Jones ’ CECILE ON THE PHONE is described in the Sundance Program Guide as:
We forgot about the outside world. No one came and went. No agents visiting. I didn’t even have one. We all stayed in a funky motel on the outskirts of Reno in rooms that circled the pool. We were like a little theater company in the heat of summer that went off to a small gambling town in the Wild West to tell a story centered around love. You can imagine how contagious that could be.
A couple of years ago I came to know an elderly woman with dementia while I was serving as a hospice volunteer. As her memory and language skills declined, I was challenged to find new ways of communicating and connecting with her. In the film, I explore some of these challenges as well as how generational differences can play into them.
Is Dallas’ Film Community Giving Up Its Film Incentives Without a Fight? State Representative Matt
I think the funniest response was when my grandfather first saw the 4″ prints. He said, “I mean… it looking nice but… I no too short like that!”
A Master: Liener Temerlin and the Dallas International Film Festival “It’ll knock your hat in
Film festivals and the pure love of people that make movies — Tallgrass Film Festival
Ana Lily Amirpour ’s THE BAD BATCH: The Second Toronto FF Report For the most
Andrea Arnold ’s AMERICAN HONEY Highlighted among Toronto Film Fest Report FILMS GONE WILD –
That is how you can prove to a production company that it’s possible when they say it is impossible because you can say, “I’ve got a guy…with testicles”.