Reporting on film festivals
OxFilm has announced that the Oxford Film Festival’s new Executive Director will by Ox-Film veteran Matt Wymer. Programming Director Justina Walford continues into her second year with the festival.
“We’re thrilled to see more awareness and intentionality around supporting diverse stories and creators in children’s media,” added Maria-Christina Villaseñor, NYICFF Programming Director. “We want to devise more onramps for emerging creators, share ways to mindfully support their ongoing development and success. With over 25 years of identifying talented filmmakers and partnering with industry producers, platforms, and educators, we’re doing what we can to connect the dots with honest conversation, inspiration, and actionable ideas.”
Harlem International Film Festival’s Program Director, Nasri Zacharia, said. “We are excited to once again have screenings at the New York Public Library and Columbia University, which both hold wonderful memories for this film festival. At the same time, we look forward to sharing so many wonderful films virtually to introduce our audiences throughout the state of New York to films from around the world. And, of course, we’ll continue our efforts to truly showcase the filmmakers and the setting of our beloved home neighborhoods of Harlem, Upper Manhattan and the Bronx, which we call the HUB.”
We are thrilled to be able to represent A Sexplanation — a truly important and relevant film that also is truly entertaining,” said Josh Levin, head of Sales and Acquisitions for Passion River Films. “This is the education everyone needs and so few get. In this time of cultural and political division — and its effect on what can be taught in schools — this film is vitally needed… and hella funny.”
IFFLA Executive Director Christina Marouda, said, “This year’s Closing celebration will be focused on the future of our filmmakers. Emphasizing a commitment to the next generation of filmmakers and the films and television projects they create is essential to what we do – and have always done at this film festival. Ending this year’s edition of IFFLA with a flourish of readings, previews, and performances is exciting and beyond appropriate for where our heart is this year. And to be able to add a master class from a beloved alum, Anurag Kashyap, whose filmmaking journey has been in many ways parallel to IFFLA’s growth could not be more fitting for this year’s landmark celebration.”
San Luis Obispo Film Festival Director Skye McLennan said, “We have been thrilled to return to the SLO Film Fest we have all known and loved for so long and bring back traditions, beloved favorites within our programming and events that this film festival is known for. The King Vidor Award, the Spotlight Award, Surf Nite, moderated talks with Ben Mankiewicz, Jenelle Riley, and more are the things lovers of cinema on the Central Coast have sorely missed. I can speak for everyone here when I say we are counting each day until SLO Film Fest opens next week!”
Frame of Mind, the 13-episode TV series which spotlights independent film from around Texas on KERA TV, public television for North Texas (Dallas, Denton, Fort Worth) is looking for submissions.
Regarding the inspiration for this year’s edition of IFFLA, Co-Director of Programming Thouly Dosios, said, “This year’s festival is about reclaiming the powerful act of physically gathering together in a dark room, and processing a flickering dream as a communal experience. At the same time, it is about mindful evolution; our post-pandemic world forces us to reassess how we connect with each other and share our stories. The limitations we’ve had to deal with have empowered us to forge ahead with an expanded mind and a wilder imagination.”
The American Film Institute (AFI) is hosting its annual AFI DWW (Directing Workshop for Women) showcase in person today at the Directors Guild of America (DGA) in Los Angeles. The event provides an opportunity for the 2022 program’s participants to present their completed films to an audience of agency and studio representatives, as well as working artists from throughout the creative community.
Anna Baumgarten’s Disfluency was named Best Narrative Feature, which included a $15,000 camera rental package from Panavision, and Brandon Kramer’s The First Step won Best Documentary Feature. The Best Documentary Feature prize also included a $15,000 camera rental package from Panavision. Ashley E. Gibson’s The Fearless 11 won Best Mississippi Feature. Her prize came with a one-year membership and free equipment rentals from OxFilm Society. Later, it was announced that Alysia Nahmias’ Krimes was the Barton Segal Audience Award winner.
