Films Gone Wild

Editor’s column/daily commentary welcoming feedback and opinions.

SUNDANCE 2023 Interviews: AIRHOSTESS-737 director Thanasis Neofotistos

By John Wildman 4 years ago

Let me begin by applauding lead actress Lena Papaligoura, who was awarded Vimeo’s Special Jury Prize for Acting at Sundance. Now, regarding the film – I always have great admiration for someone who makes a well-crafted short film that can lead us down a path, entertain us, and manage to have a legit beginning, middle, and end within its brief runtime. And if you can pull that off by having your camera focused on a single person for the most part, literally a head and shoulders shot for the majority of the short film and STILL keep us on the hook? Well, hat’s off to you.

SLAMDANCE 2023 Interviews: CISCO KID director Emily Kaye Allen

By John Wildman 4 years ago

My personal thoughts: This is another film that I am currently working with as their publicist, so naturally I think it’s wonderful. This might be an odd way to compliment a documentary, but when I watched CISCO KID the first time, I kept thinking of Altman films or Malick films, because the combination of an independent, enigmatic character at the center of a story set with in a truly significant landscape is what I so often associate with that cinema when I hear those names. Allen and her camera become trusted companions to a charismatic, yet fiercely independent personality who hearkens back to a different time in their pursuit of restoring structure and life to a literal ghost town in the desert.

Sundance 2023 Interviews: FANTASTIC MACHINE directors Axel Danielson and Maxmilien Van Aertryck

By John Wildman 4 years ago

My personal thoughts on FANTASTIC MACHINE: This thing is so comprehensive and bombards you with photos and video since the first images were recorded to seemingly selfies and Tik Tok videos that were shot and recorded right before you watched the film. That’s what it feels like. And the effect is an overwhelming one, revealing how we are being influenced and manipulated by the photographic image and how we enthusiastically feed the beast ourselves. Like parakeets pecking at our reflection in a mirror, we can not deny the power it has over us and FANTASTIC MACHINE does an amazing job boiling it all down and focusing that conversation about what we have wrought upon ourselves with our cameras.