Cortez McKay ‘s ITCHING FOR A SCRATCH: the love of Old School Hip Hop with the 2019 Harlem Film Festival kicked things off on their red carpet Thursday, May 16 with a Double Feature and some old school Hip Hop love…
WOMAN OF LIFE director Alif Areca Sankey and composer Haeyun Kim (Photo by Cristobal Vivar)
Getting a shot of BEAUCOEUR’s Mozell Miley-Bailey. (Photo by Chris Gardner)
The director, screenwriter, and producer of BEAUCOEUR, Mozell Miley-Bailey (Photo by Cristobal Vivar)
WOMAN OF LIFE’s Alif Areca Sankey (DIR)
Cortez McKay ‘s ITCHING FOR A SCRATCH: the love of Old School Hip Hop with the 2019 Harlem Film Festival kicked things off on their red carpet
LIFELINE director L. Marcus Williams (Photo by Cristobal Vivar)
LIFELINE actor Dan Parilis (Photo by Cristobal Vivar)
Photographing the LIFELINE duo. (Photo by Chris Gardner)
The LIFELINE duo: Dan Parilis and L. Marcus Williams (Photo by Cristobal Vivar)
Cortez McKay ‘s ITCHING FOR A SCRATCH: the love of Old School Hip Hop with the 2019 Harlem Film Festival kicked things off on their red carpet
WOMBSONG director Hanna Vastinsalo (Photo by Cristobal Vivar)
Getting a shot of the LADY HUNTERS team. (Photo by Chris Gardner)
LADY HUNTERS: Austin Bening (ED), Angela Atwood (DIR/SCR/PROD/CAST), Marianna Hardart (CAST) (Photo by Cristobal Vivar)
LADY HUNTERS director, writer, producer, and actor Angela Atwood, flanked by her editor Austin Bening , and fellow cast member Marianne Hardart (Photo by Cristobal Vivar)
Director of TRUE STORIE BY JOE, Joe Zito (Photo by Cristobal Vivar)
The subject of ITCHING FOR A SCRATCH, Grand Wizard Theodore Livingston (Photo by Cristobal Vivar)
The director with his subject: Cortez McKay and Theodore Livingston (ITCHING FOR A SCRATCH) (Photo by Cristobal Vivar)
ITCHING FOR A SCRATCH: Mahdina McKay (Catering), Cortez McKay (DIR), Theodore Livingston (Subject), Kelley Cotton (Subject) (Photo by Cristobal Vivar)
The ITCHING FOR A SCRATCH family: Herb Brooks (Production), Seasia Fredericks (Production), Cortez McKay Jr. (DP), Cortez McKay, (DIR/PROD) Mark Cabaroy (SCR), Mahdina McKay (Catering), Jessica Bowen (Subject), Theodore Livingston (Subject), Kelley Cotton (Subject) (Photo by Cristobal Vivar)
The STILL HARLEM team – Rich Ford (Supervising Producer), Billy Peck CAST), Robins Edouard (CAST), Letta Fox (Wardrobe), Ed Poole (Production Design) (Photo by Cristobal Vivar)
STILL HARLEM does the poster shot – Rich Ford (Supervising Producer), Billy Peck CAST), Robins Edouard (CAST), Letta Fox (Wardrobe), Ed Poole (Production Design) (Photo by Cristobal Vivar)
Cortez McKay and Theodore Livingston (ITCHING FOR A SCRATCH) flank LA Sunshine (Photo by Cristobal Vivar)
Getting a shot of Cortez McKay, DJ Red Alert, LA Sunshine, and Theodore Livingston (ITCHING FOR A SCRATCH) (Photo by Chris Gardner)
Cortez McKay, DJ Red Alert, LA Sunshine, and Theodore Livingston (ITCHING FOR A SCRATCH) (Photo by Cristobal Vivar)
Sean Michael Williamson (CAST), Kevin Haefelin (DIR), Youmi Haefelin (Catering) (Photo by Cristobal Vivar)
The director with his star: TIGHT SPOT’s Kevin Haefelin and Sean Michael Williamson (Photo by Cristobal Vivar)
Team Haefelin: Kevin Haefelin (DIR), Youmi Haefelin (TIGHT SPOT) (Photo by Cristobal Vivar)
GRAY GROUND: Antony T. Solano (EXEC PROD/CAST) (Photo by Cristobal Vivar)
Photographing LOST N LAUNDRY’s Jeffrey Lewis Jr. (Photo by Chris Gardner)
LOST IN LAUNDRY director Jeffrey Lewis Jr. (Photo by Cristobal Vivar)
Arnstar (WHEELS) (Photo by Cristobal Vivar)
WHEELS’ Arnstar with the Harlem Intl FF’s Lorenzo Roache (Photo by Cristobal Vivar)
WHEELS’ Al Thompson is the center of attention (Photo by Chris Gardner)
WHEELS’ Al Thompson (Photo by Cristobal Vivar)
The director of WHEELS, Paul Starkman (Photo by Cristobal Vivar)
Photographing the WHEELS team (Photo by Chris Gardner)
The WHEELS crew – Al Thompson (CAST), Moises (CAST), Tuffy Questell (CAST), Kareem Savinon (CAST), Paul Starkman (DIR), Arnstar (CAST), Neal Usatin (PROD/ED) (Photo by Cristobal Vivar)
The Harlem FF toppers join the WHEELS party on the red carpet – Nasri Zacharia, Al Thompson, Moises, Tuffy Questell, Kareem Savinon, Paul Starkman, Lorenzo Roache, Arnstar, Neal Usatin (Photo by Cristobal Vivar)
Checking that he got the shot of CHEVERE CON SALSA (Photo by Chris Gardner)
CHEVERE CON SALSA – Jackie Almonte (CAST), Pascal Arquimedes (CAST), Gio Crisafulli (DIR/PROD), and Melissa Batista (SCR/PROD) (Photo by Cristobal Vivar)
A photo of the women behind FOR THE WOMEN ON THE FLOOR (Photo by Chris Gardner)
FOR THE WOMAN ON THE FLOOR: Livia Ohihoin (DIR/Co-SCR/Animator) and Erin Smith (ED/Production Design) (Photo by Cristobal Vivar)
Ian Thomas Ash, director of THE FATHER’S LOVE BEGOTTEN (Photo by Cristobal Vivar)
STILL HARLEM’s Billy Peck (Photo by Cristobal Vivar)
HIGH BRIDGE’s producer, John Michael Reefer, and director Benedict Campbell (Photo by Cristobal Vivar)
NO WAY OUT director and producer Gabor Gasztonyi (Photo by Cristobal Vivar)
Judith Copland (Post Production/Consultant), Gabor Gasztonyi (DIR/PROD) (Photo by Cristobal Vivar)
Zachary Bako (DIR), Yuna Lee (Asst ED) (3AM ON FRENCHMEN) (Photo by Cristobal Vivar)
3AM ON FRENCHMEN director Zachary Bako, and Assistant Editor Yuna Lee (Photo by Cristobal Vivar)
A winning smile form Khinmay Lwin van der Mee, director of CIVIL WAR – FOR THE SOUL OF BLACK AMERICA (Photo by Chris Gardner)
Khinmay Lwin van der Mee, director of CIVIL WAR – FOR THE SOUL OF BLACK AMERICA (Photo by Cristobal Vivar)
Getting a photo of the SAME SAME AND DIFFERENT team. (Photo by Chris Gardner)
Nots Thunnyahnondha (CAST), Seok Wun Auyong (DIR), and Yanni Ma (PROD) of SAME SAME AND DIFFERENT (Photo by Cristobal Vivar)
LIFE IS WHAT YOU MAKE IT director Jhett Tolentino (Photo by Cristobal Vivar)
Cynthia Biestek, Co-director of ELIADES OCHOA FROM CUBA TO THE WORLD (Photo by Cristobal Vivar)
Khinmay Lwin van der Mee being interviewed. (Photo by Chris Gardner)
Harlem Film Festival’s Nasri Zacharia, and Lorenzo Roache with Khinmay Lwin van der Mee (CIVIL WAR – FOR THE SOUL OF BLACK AMERICA), and Mozell Miley-Bailey (BEAUCOEUR) (Photo by Cristobal Vivar)
The Harlem FF’s dynamic duo Nasri Zacharia and Lorenzo Roache (Photo by Cristobal Vivar)
83 DAYS’ Andrew Paul Howell (DIR/DP/EXEC PROD) and Kevin Hackenberg (PROD) (Photo by Cristobal Vivar)
The 83 DAYS duo: Andrew Paul Howell (DIR/DP/EXEC PROD) and Kevin Hackenberg (PROD) (Photo by Cristobal Vivar)
Photographing the SPLIT team. (Photo by Chris Gardner)
The SPLIT team: Molly McGaughey (DIR) and Yael Shavitt (SCR/PROD/CAST) (Photo by Cristobal Vivar)
Molly McGaughey (DIR) and Yael Shavitt (SCR/PROD/CAST) of SPLIT (Photo by Cristobal Vivar)
NEW YORK SCHERZO director Shaan Couture (Photo by Cristobal Vivar)
NEW YORK SCHERZO’s Shaan Couture, flanked by JAZZ IN WAKANDA’s Barbary Ahmed and Djaka Soure (Photo by Cristobal Vivar)
A talented trio: NEW YORK SCHERZO’s Shaan Couture, flanked by JAZZ IN WAKANDA’s Barbary Ahmed and Djaka Soure (Photo by Cristobal Vivar)
JAZZ IN WAKANDA’s Barbary Ahmed (PROD) and Djaka Soure (DIR/SCR/CAST) (Photo by Cristobal Vivar)
You can’t do this at Cannes… JAZZ IN WAKANDA’s Barbary Ahmed (PROD) and Djaka Soure (DIR/SCR/CAST) do he selfie thing on the red carpet. (Photo by Cristobal Vivar)
Cortez McKay ‘s ITCHING FOR A SCRATCH: the love of Old School Hip Hop at The 2019 Harlem International Film Festival’s Opening Night red carpet
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Tags: Al Thompson , Arnstar , BEAUCOEUR , CHEVERE CON SALSA , Cortez McKay , Djaka Soure , Harlem International Film Festival , ITCHING FOR A SCRATCH , JAZZ IN WAKANDA , LADY HUNTERS , Lorenzo Roache , Nasri Zacharia , NEW YORK SCHERZO , NO WAY OUT , Paul Starkman , Shaan Couture , STILL HARLEM , Theodore Livingston , WHEELS
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