Under Executive Director Melanie Addington leadership, the Oxford Film Festival is beloved on the regional film festival circuit. Much beloved.
Once filmmakers and press members make their way to the film festival they immediately want to come back.
Yes, it is the land of William Faulkner, and yes, you can’t beat the Ajax Diner, but there is something else that Executive Director Melanie Addington has been able to successfully cultivate beyond that historic/artistic cache and culinary highlight that makes the fest the favorite launching point of the new regional tour each year.
Executive Director Melanie Addington leads 2019 Oxford Film Festival
I oftentimes say that film festivals take a large part of their personality from their EDs and Artistic Directors, and this one is a prime example of that.
The Oxford Film Festival oftentimes leads the way when it comes to aggressively responding to politics and inequities that affect its filmmakers. (Mississippi passes egregious anti-LGBTQ+ legislation, and Melanie adds a prominent LGBTQ+ sidebar and with the help of the wonderful Brian Whisenant, keeps growing it with each year.
Facts and figures keep hammering home the truth of women and disabled filmmakers not getting the same opportunities as everyone else and Melanie reduces submission fees for them.)
Melanie Addington creates “comfort zone, oasis” for filmmakers
In person, the Oxford Film Festival is a comfort zone, an oasis for filmmakers to connect with each other and see each other’s films and enjoy that shared camaraderie while bowling on opening night (literally) or hanging out at a longtime sponsor’s southern mansion, listening to each other and discussing topics during filmmaker panels that very much feel like personal “airing-out” sessions, and, of course, watching each other’s films.
Much of that comes from Melanie and is then infused throughout the rest of the great team that works with her to put the whole thing together.
Therefore, it – like it’s Southern neighbor Sidewalk FF, is a fest that filmmakers want to go to even if they don’t have a film that year. They just want to be there. It will be fun, it will be energizing, and it will be another reminder of why they love making films as it inspires them to get to work on the next one. In many ways, the Oxford Film Festival is like those Hot Wheels superchargers that would propel the toy cars down the long orange tracks for another trip.
That’s the proper image to have when you think of the fest.
Of course, on this particular evening, there were A LOT of those filmmaker Hot Wheels coming down the track. In fact, this may be the most filmmakers we have had on one of our Films Gone Wild/Festworks red carpet galleries since we began posting these.
In fact, there were so many filmmakers and films that a couple Oxford Film festival faithful that volunteered to help Chris Gardner and I run the thing literally bailed on us about midway through the hour and a half it took to get all of them through. It was understandable, because if you don’t do this routinely, then it CAN seem like a devastatingly endless stream of people posing for pictures and talking into microphones about their films.
But we love it, frankly.
And we also love the idea that so many filmmakers descended on a little college town in Mississippi to make it an oasis for the arts and inclusion right in the heart of a state that would do well to infuse more than a little of Melanie Addington’s spirit and can-do abilities and unwavering willingness to do what’s right for people – ALL people – in the rest of the state.
But before she runs for public office, let’s take a look at who was there:
FROG DOG LOG director Jared D. Weiss (Photo by Joey Brent)Jared D. Weiss (FROG DOG LOG) being interviewed (Photo by Chris Gardner)BULLIES director Daniel Bydlowski (Photo by Joey Brent)Producer Dilek Ince and director Daniel Bydlowski (BULLIES) (Photo by Joey Brent)Daniel Bydlowski (BULLIES) being interviewed (Photo by Chris Gardner)Jillian Armenante (STUCK) being photographed (Photo by Chris Gardner)STUCK director Jillian Armenante (Photo by Joey Brent)Jillian Armenante, director of STUCK (Photo by Joey Brent)STUCK director Jillian Armenante has fun with the film’s distributor Mark Cartier (Photo by Joey Brent)Mark Cartier and Jillian Armanente do the poster shot for STUCK (Photo by Joey Brent)Dominique Tipper (TRYING TO FIND ME) striking a pose (Photo by Chris Gardner)TRYING TO FIND ME director Dominique Tipper (Photo by Joey Brent)Dominique Tipper, director of TRYING TO FIND ME (Photo by Joey Brent)Sean Pettis, the director, screenwriter, DP, and editor of SAD HOUR (Photo by Joey Brent)TAKING TIGER MOUNTAIN REVISITED co-director, co-screenwriter, co-producer, editor, Tom Huckabee (Photo by Joey Brent)Jennifer Robles (Production Coordinator) and Tom Huckabee (Co-DIR/Co-SCR/Co-PROD/ED) (Photo by Joey Brent)Elisabetta and Matteo Zengaro, the co-directors of COACH WADE (Photo by Joey Brent)SNOW CHILD director Diana Cignoni (Photo by Joey Brent)Diana Cignoni, director of SNOW CHILD (Photo by Joey Brent)Oxford’s acting ambassador Johnny McPhail gets a photo with Diana Cignoni (Photo by Joey Brent) Diana Cignoni (SNOW CHILD) being interviewed (Photo by Chris Gardner)HYPNOTOC INDUCTION director Donald Meyer (Photo by Joey Brent)The HYPNOTIC INDUCTION team: Jared D. Callen (DP), Donald Meyer (DIR), and Spencer Lucas (Sound) (Photo by Joey Brent)Donald Meyer (HYPNOTIC INDUCTION) being interviewed (Photo by Chris Gardner)Tom Huckabee gets a photo with the Oxford Film Festival’s Executive Director Melanie Addington (Photo by Joey Brent)WAR PAINT’s dynamic duo: Colby Doler (Co-DIR/CAST) and Taylor Bracewell (Co-DIR/PROD) (Photo by Joey Brent)Taylor Bracewell, Colby Doler (WAR PAINT) being interviewed (Photo by Joey Brent)AGE OF BRYCE’s creative team: David Feagan (Co-DIR/PROD/ED) and Brian Elliot (Co-DIR/SCR/PROD) (Photo by Joey Brent)David Feagan and Brian Elliot do the poster shot for their film, AGE OF BRYCE (Photo by joey Brent)Brian Elliot (AGE OF BRYCE) being interviewed (Photo by Chris Gardner)CONSERVATIVE PRIDE, WHITE SUPREMACY & MY STATE FLAG’s Lea Campbell (Subject) and Adam Grannick (DIR) (Photo by Joey Brent)Lea Campbell (Subject of CONSERVATIVE PRIDE, WHITE SUPREMACY & MY STATE FLAG) (Photo by Joey Brent)Screenwriter/Producer Jane Barbara and director/producer Oriana Oppice (LEIA’S ARMY) (Photo by Joey Brent)Oriana Oppice (LEIA’S ARMY) being interviewed (Photo by Chris Gardner)The LILAC OCEAN PUMPKIN PIE team: Laetitia Leon (PROD/CAST) and Sarah Phillips (DIR/DP) (Photo by Joey Brent)LILAC OCEAN PUMPKIN PIE’s Laetitia Leon (PROD/CAST), Sarah Phillips (DIR/DP) (Photo by Joey Brent)Laetitia Leon (LILAC OCEAN PUMPKIN PIE) being interviewed (Photo by Joey Brent)Jessica Mendez Siqueiros, director and screenwriter of POZOLE (Photo by Joey Brent)POZOLE’s director/screenwriter Jessica Mendez Siqueiros (Photo by Joey Brent)Courtney Hope Therond, director and screenwriter of THE DRESS YOU HAVE ON (Photo by Joey Brent)Courtney Hope Therond, Jessica Mendez Siquerios (THE DRESS YOU HAVE ON) being photographed (Photo by Chris Gardner)Courtney Hope Therond (DIR/SCR), Jessica Mendez Siquerios (CAST) (THE DRESS YOU HAVE ON) (Photo by Joey Brent)Jaanelle Yee, director and screenwriter of SELL YOUR BODY (Photo by Joey Brent)THE CONQUEROR’s Timothy Blackwood (DIR) and Bradford Downs (PROD) (Photo by Joey Brent)Timothy Blackwood (THE CONQUEROR) being interviewed 2.9.19 (Photo by Joey Brent)Nicholas Laviola, the director of HOLY GHOST FIRE: THE ECSTASY OF RANDY WOLFORD (Photo by Joey Brent)Nicholas Laviola, the director of HOLY GHOST FIRE: THE ECSTASY OF RANDY WOLFORD does the poster shot (Photo by Joey Brent)PETIT FOUR’s Executive Producer Michael Renshaw and director Kalainitan Kalaichelvan (Photo by Joey Brent)PETIT FOUR’s Executive Producer Michael Renshaw and director Kalainitan Kalaichelvan show off the film’s poster (Photo by Joey Brent)Paul Kaiser, Sarita Choy, John Charter (REMISSION) being photographed (Photo by Chris Gardner)The REMISSION team: Paul Kaiser (Co-DIR), Sarita Choi (PROD), John Charter (Co-DIR) (Photo by Joey Brent)WASH MY HANDS director Christian Walker (Photo by Joey Brent)Christian Walker (WASH MY HANDS) being interviewed (Photo by Chris Gardner)Sunita Deshpande (SCR/CAST) (A SARI FOR PALLAVI) (Photo by Joey Brent)A SARI FOR PALLAVI’s Sunita Deshpande (Photo by Joey Brent)THE GREAT UNKNOWN’s Desiree Matthews (SCR/CAST/EXEC PROD) (Photo by Joey Brent)Desiree Matthews (THE GREAT UNKNOWN) (Photo by Joey Brent)Desiree Matthews displays the poster for THE GREAT UNKNOWN (Photo by Joey Brent)Desiree Matthews (THE GREAT UNKNOWN) being interviewed (Photo by Wildman)Dre Sweat (TRINA’S STORY) being photographed (Photo by Chris Gardner)TRINA’S STORY director Dre Sweat (Photo by Joey Brent)Dre Sweat (TRINA’S STORY) being interviewed (Photo by Chris Gardner)HAPPY BIRTHDAY’s Tim Harms (Co-DIR/PROD/ED) and Alex Ginzberg (Co-DIR/SCR/PROD) (Photo by Joey Brent) The HAPPY BIRTHDAY team: Tim Harms (Co-DIR/PROD/ED), Alexa Familia, Sandra Familia, Alex Ginzberg (Co-DIR/SCR/PROD) (Photo by Joey Brent)Joe Colaleo (BAD THINGS) being interviewed (Photo by Wildman)WILLOW CREEK ROAD’s Co-Screenwriter, producer, and cast member Jenna Cirelli (Photo by Joey Brent)Jenna Cirelli (WILLOW CREEK ROAD) (Photo by Joey Brent)Zoey Martinson, director and screenwriter of THE FISHERMAN (Photo by Joey Brent)THE FISHERMAN’s director/screenwriter Zoey Martinson (Photo by Joey Brent)Zoey Martinson (THE FISHERMAN) being interviewed (Photo by Wildman)WATER, IT’S LIFE’s director, DP, screenwriter, and producer Bella Salvo (Photo by Joey Brent)Geoff Marslett (EVERYTHING CHANGES) and Aaron Hillis (FUNERAL) (photo by Joey Brent)BIRTH OF AFRO B director Opiyo Okeyo (Photo by Joey Brent)Opiyo Okeyo (BIRTH OF AFRO B) being interviewed (Photo by Wildman)Blake Summers and Melanie Addington (Photo by Joey Brent)HIDING IN DAYLIGHT’s Natalie Murray (PROD) and Cheryl Allison (DIR) (Photo by Joey Brent)The prolific Jonathan Smith, director of REMEMBERING ELWOOD HIGGINBOTTOM, TAMING THE TARESQUE, and GHOST TRAIN (Photo by Joey Brent) Jonathan Smith (REMEMBERING ELWOOD HIGGINBOTTOM/TAMING THE TARASQUE/GHOST TRAIN) being interviewed (Photo by Wildman)ALWAYS IN SEASON’s Jacqueline Olive with FUNERAL’s Aaron Hillis (Photo by Joey Brent)IVAN’s Panagiotis Kountouras (DIR), and Christos Kokarakis (AD) (Photo by Joey Brent)Panagiotis Kountouras, Christos Kokarakis (IVAN) being interviewed (Photo by Wildman) ICEPICK TO THE MOON’s Jen Talbert (PROD) and Skizz Cyzyk (DIR) (Photo by Joey Brent)The ICEPICK TO THE MOON poster shot with producer Jen Talbert and director Skizz Cyzyk (Photo by Joey Brent)Jen Talbert (ICEPICK TO THE MOON) being interviewed (Photo by Wildman)THE ONE YOU NEVER FORGET team: Alecia George (M/U), Morgan Jon Fox (DIR), Augusta Campbell (Wardrobe) and Bill Stearns (Photo by Joey Brent)Oxford Film Festival sponsors Marilyn and Dick Frye (Photo by Joey Brent)YOU SAY HELLO’s Daniel Talbott (SCR/PROD) (Photo by Joey Brent)Kevin O’Brien (DIR/SCR), and Stephen Shane Martin (CAST) with the poster for AT THE END OF THE DAY (Photo by Joey Brent)THRASHER ROAD’s Samantha Davidson Green (DIR/SCR) and Allison Fay Brown (CAST) (Photo by Joey Brent)Samantha Davidson Green (THRASHER ROAD) being interviewed (Photo by Wildman)Creek and Susan Wilson (BETTING IN THE OVERLAY) (Photo by Joey Brent)Joe Starzyk, screenwriter of THE GOLDEN YEARS (Photo by Joey Brent)Joe Starcyk and Mary Daigneault (Photo by Joey Brent)Figuring it out with Veronique Vanblaere (DIR), Clint Coopersmith (PA) (SPACE WIND) (Photo by Chris Gardner)SPACE WIND’s Director, Puppet Master, and Creator, Veronique Vanblaere (Photo by Joey Brent)Veronique Vanblaere (DIR/Puppet Master/Creator) of SPACE WIND (Photo by Joey Brent)Veronique Vanblaere (DIR), Clint Coopersmith (PA) (SPACE WIND (Photo by Joey Brent)The Oxford Film Festival’s Filmmaker Awards host Eric D. Snider (Photo by Joey Brent) The HAPPY BIRTHDAY, PAPA gang: Susan McPhail, Henry Fulton Winship, Bennett Krishock, Will Schube, and Johnny McPhail (Photo by Joey Brent)John e. Kilberg (DIR/SCR/ED/CAST) and Tarra Livengood (PA) with the poster for HOME ALONE, BABY BLUE (Photo by Joey Brent)ATTACHE’s Melissa Pace Overholt (DIR/PROD) (Photo by Joey Brent)Melissa Pace Overholt, director/producer of ATTACHE (Photo by Joey Brent)Melissa Pace Overholt (ATTACHE) flanked by Justine Osborne and Jennifer Strobling (Photo by Joey Brent)DEAD GIRL’s Chris Wright (Associate Producer) and Rachel Sweeney (DIR/SCR/PROD/CAST) (Photo by Joey Brent)A STABLE MYSTIC’s Randal Crow (DIR/ED/DP) and John Scalici (PROD) (Photo by Joey Brent)HOW I CAME OUT’s Elicia George (M/U), Sarah Fleming (AD), and Augusta Campbell (Wardrobe) (Photo by Joey Brent)Jury member Kathie Fong Yoneda (Photo by Joey Brent)Jury…with attitude: Maitland McDonagh (Photo by Joey Brent)Jury member Elizabeth Weitzman (Photo by Joey Brent)A powerhouse trio: Elizabeth Weitzman, Maitland McDonagh, and Kathie Fong Yoneda (Photo by Joey Brent)Dava Whisenant (DIR) and Steve Young (Subject) from BATHTUBS OVER BROADWAY (Photo by Joey Brent)Adam Hohenberg and Morgan Jon Fox from THE ONE YOU NEVER FORGET (Photo by Joey Brent)THE ONE YOU NEVER FORGET’s Augusta Campbell joins Adam Hohenberg and Morgan Jon Fox on the red carpet (Photo by Joey Brent)Director Kate Chamuris of A SARI FOR PALLAVI (Photo by Joey Brent)A SARI FOR PALLAVI’s Kate Chamuris (DIR) (Photo by Joey Brent)The team from A SARI FOR PALLAVI: Kate Chamuris (DIR) and Sunita Deshpande ((SCR/CAST) (Photo by Joey Brent)Sunita Deshpande, Kate Chamuris (A SARI FOR PALLAVI) being interviewed (Photo by Joey Brent)Malcolm Ingram, director of SOUTHERN PRIDE, with Melanie Addington 2.9.19 (Photo by Wildman)DRIVE’s Casey J. Dillard (Photo by Wildman)
Executive Director Melanie Addington leads 2019 Oxford Film Festivall Filmmaker Awards Red Carpet was nothing short of EPIC!
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