Sundance 2023 Interviews: FANTASTIC MACHINE directors Axel Danielson and Maxmilien Van Aertryck

FANTASTIC MACHINE (Directors Axel Danielson and Maxmilien Van Aertryck

The Sundance description: A meticulous dissection of image-making and a mapping of its movement through society, directors Axel Danielson and Maximilien Van Aertryck use a mind-boggling array of archival footage to collage this sociological study by tracking the transmogrification of photographic philosophy and technology over human history. Weaving and contrasting some of the most iconic, harrowing, and viral images in our collective memory with user-generated footage that transports the viewer through time, space, and experience, Danielson and Van Aertryck intricately fashion an argument about how humans see ourselves that feels rigorous, learned, and current.

From the first photo… (FANTASTIC MACHINE)
…to what we do with our cameras today… (FANTASTIC MACHINE)

My personal thoughts on FANTASTIC MACHINE: This thing is so comprehensive and bombards you with photos and video since the first images were recorded to seemingly selfies and Tik Tok videos that were shot and recorded right before you watched the film. That’s what it feels like. And the effect is an overwhelming one, revealing how we are being influenced and manipulated by the photographic image and how we enthusiastically feed the beast ourselves. Like parakeets pecking at our reflection in a mirror, we can not deny the power it has over us and FANTASTIC MACHINE does an amazing job boiling it all down and focusing that conversation about what we have wrought upon ourselves with our cameras.

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