Azul Lombardia’s DOBERMAN rotates around a world of male absence
Along with the rising tension, the film seems in its core a feminist exploration where men are merely mentioned plot points, things to be missed, and the women move the story embracing their aloneness in vibrant, diverse ways. As Lombardia says in her interview here “Like planets in the solar system, these seeming divergent characters’ worlds rotate around the same type of male absence.”