Approach your regional film festival tour exactly as you would if all things were business as usual, BUT with much more management and care over your film. (And frankly, you should have been doing this anyway, but no one’s giving you side eye here so carry on…)
The 2019 Oxford Film Festival (February 6-10) announced a special screening of Tom Huckabee and Kent Smith’s TAKING TIGER MOUNTAIN REVISITED, a gonzo futuristic film project co-written by William S. Burroughs and starring Bill Paxton in his first role, and made in the late 70s/early 80s, and recently updated by Huckabee. Steve Young, the subject of Dava Whisenant’s award-winning documentary, BATHTUBS OVER BROADWAY is now slated to attend the screening of that film, and the film lineups for the Oxford Community Film Night, Family Film Festival, UM Film & Theatre Shorts, Louisiana and Memphis Film Prize Shorts program, and Filmmaker Panels were also announced.
The 2019 Oxford Film Festival (February 6-10), the first major stop on the year’s regional film festival circuit has announced John Stimpson’s GHOST LIGHT as the Opening Night Gala selection, with Jacqueline Olive’s ALWAYS IN SEASON tabbed as the fest’s Closing Night Gala selection immediately following its debut at Sundance. Another choice hot off of Sundance will be Jon Strong’s documentary, LONG TIME COMING, presented as a Special Screening. Oxford Film Festival favorite Malcolm Ingram will present his latest documentary, SOUTHERN PRIDE as a Special Screening as well. Also announced were the competition lineups for this year.
Anyone that knows me at all, or my history, knows about one of the primary things I do for a living, etc. would likely think it was fightin’ words if someone legitimately asked me, “What’s the point of having a red carpet at a film festival?”
On a warm October evening in South Florida, the 2018 Naples International Film Festival hit its stride with a full day and night of screenings at the beautiful Silverspot theaters and gave the red carpet treatment to all of its filmmakers, including beloved character actor Brian Cox, who was at the fest with his film, THE ETRUSCAN SMILE. Palm trees literally swayed in the distance as the directors and stars got there photos taken and talked to the press before heading inside to catch another movie.
The Naples International Film Festival announced the filmmaker award winners for the film festival’s 10th edition during a Closing Night Awards ceremony presented by Richard Lublin on Sunday, October 28 at Hayes Hall (5833 Pelican Bay Blvd.) on Sunday, October 20. The Jury Prize for Best Narrative Feature (and a cash prize of $3,000) went to Jamie Patterson’s TUCKED, and the Jury Prize for Best Documentary Feature (and $3,000) was given to Dava Whisenant’s BATHTUBS OVER BROADWAY. Among the other awards, Dermot Murphy received the Rising Star Award for his performance in Nick Kelly’s THE DRUMMER AND THE KEEPER.
The Naples International Film Festival kicked things off in high style at the Artis-Naples Hayes Hall with red carpet arrivals prior to the Opening Night Gala screening of Nick Kelly’s crowd pleaser, THE DRUMMER AND THE KEEPER.
The Grand Prize for Best Narrative Feature (and a cash prize of $25,000) went to Amélie Van Elmbt’s THE ELEPHANT AND THE BUTTERFLY, produced by the Dardenne Brothers and executive produced by Martin Scorsese, and the Grand Prize for Best Documentary Feature (and a cash prize of $25,000) was given to Alexandria Bombach’s ON HER SHOULDERS. Among the other awards, Kendall Goldberg’s WHEN JEFF TRIED TO SAVE THE WORLD was presented with Heartland’s first FIPRESCI Best Directorial Debut for USA Narrative Film nod and Dava Whisenant’s BATHTUBS OVER BROADWAY received the festival’s Humor and Humanity Award.
The 16th Annual Tallgrass International Film Festival presented by Consolidated Equities Trust (October 17-21) today announced the feature film lineup for this year’s edition with a full roster of Gala selections including; Dava Whisenant’s BATHTUBS OVER BROADWAY (Opening Night Gala), John Alexander’s THIS IS LOVE (Centerpiece Gala), and Theo Love’s WHITE TIDE: THE LEGEND OF CULEBRA (Closing Night Gala). Those films are joined by Sahra Mani’s A THOUSAND GIRLS LIKE ME, which is Tallgrass’s DOXX Spotlight winner, and Sara Radle’s ELEVEN HUNDRED TO LUBBOCK, which is this year’s Stubbornly Independent Gala Selection.
