Cannes

FILMS GONE WILD: On this Juneteenth, Dallas International Film Festival Artistic Director James Faust gives a first person (and family) account of a life lived

When you reach out to your friends of color and ask how they are doing…remember… you may be opening a box of systemic trauma that they don’t want to, or are ill equipped to deal with. Rancor and rage may come your way. I ask you to listen ..really listen… For every step forward…there’s a George Floyd. For every success story, there’s a Trayvon Martin. For every…you know what…it’s too much…there are too many. My mother shouldn’t have to check in on me and remind me how to act in front of cops.. I’m 50!

THE GUEST COLUMN – Are Film Festivals the Last Bastion of the Theatrical Experience? From Films Gone Wild

There are many in the industry still clinging onto the theatrical experience, from filmmakers like Christopher Nolan and Quentin Tarantino, to companies like IMAX and Moviepass, but you still can’t really beat the experience of watching a movie, which some people have never even heard of, at a film festival. Hands down some of the best screenings I’ve ever attended have been at film festivals. In some cases, I’ve never had another chance to see those movies with an audience.

SHORTS AND TO THE POINT: Konstantina Kotzamami ‘s LIMBO is a haunting journey through symbolism, gender performance and socialization

How Kotzamani’s symbols in LIMBO are knit together in a tapestry that portrays the mystery that is woman between burned virgins, male anger, and a whale that loses whole humans in its belly as a pack of young boys ponder it is nothing less than masterful storytelling that equally enraptures the viewer’s emotions and senses.