COMING CLEAN

Ondi Timoner’s COMING CLEAN : Naples International Film Festival INTERVIEWS; examines addiction through the eyes of recovering addicts and political leaders

In the interview, Timoner and I talk about what she felt was a need and a gap regarding insight and information on the topic inspiring her to make this her next film, as well as balancing the filmmaker’s agenda for their film versus a subject’s agenda for a personal cause or self-interest. She discusses her technique in and methods in getting interview subjects to open up and give information that is below the surface level.

Ondi Timoner’s Coming Clean at NAPLES INTERNATIONAL: Film Festival REVIEW: effectively shines a light on the opioid crisis

The focus of Coming Clean is opiates, which, as several talking heads point out, leave a trail of bodies that would be deemed a life-changing national emergency if caused by terrorism, plane crashes, or anything more visual and camera-friendly. Hence, perhaps, all the visual flair Timoner uses to get us watching and listening. And yet, while this seems to be a new problem, it’s not. Oxycontin and Fentanyl constitute a third wave, following those that originated with opium and morphine.

David Gutnik’s MATERNA leads Naples International Film Fest 2020; announces awards BASTARDS’ ROAD, and COMING CLEAN

The 2020 Naples International Film Festival announced the filmmaker award winners following the conclusion of this year’s virtual/outdoor screening hybrid fest. The jury prize for Best Narrative Feature (and a cash prize of $1,250) went to David Gutnik’s MATERNA, and the jury prize for Best Documentary Feature (and $1,250) was given to Brian Morrison’s BASTARDS’ ROAD. Audience Awards went to Lanie Zipoy’s THE SUBJECT (Best Narrative Film) and Lynn Montgomery’s AMAZING GRACE (Best Documentary Film), which each won a cash prize of $1000.

Dusty Bias’ THE IMMORTAL JELLYFISH leads Sidewalk Film Festival filmmaker awards; successful All Drive-in 2020 edition

Sidewalk Film Festival Creative Director and Lead Programmer, Rachel Morgan, said “I’m super proud of Sidewalk and all of our amazing festival-goers for successfully and safely pulling off a 100% Drive-In festival during this very strange and complicated 2020 festival season. We were able to deliver a little of the magic of Sidewalk despite the odds not being in our favor and that alone is success.

Oge Egbounu’s (In)visible Portraits Opens Bentonville Film Festival’s 6th edition debuts with a virtual/drive-in hybrid approach

Wendy Guerrero , President of Programming of Bentonville Film Festival said: “ Our team has worked hard over the past few months to rethink and rebuild our Festival for 2020, always drawing on our mission to champion underrepresented voices, which has grown even more urgent as we continue these challenging circumstances. Our 2020 program is a celebration of art and diversity, perseverance, and talent. The films in this year’s lineup showcase what we’ve known all along: representation in media, means better content for all.