COVID

Sundance/Slamdance Diary #1

The last time I was in Park City for Sundance and Slamdance was 2020. Of course, all shit broke loose a couple months later in March when the zombie apocalypse began (checks notes), COVID pandemic, I mean. Now, I frequently rail against and tense up at the idea of regional fests being a kumbaya experience for filmmakers because the Eric Kohn/Indiewires of the world use that to dismiss the importance or viability of them and the films that screen there business-wise (because, if it doesn’t happen in Europe or Asia or the island of Manhattan then it’s just not important, right?).

Jamie Meltzer captures the beauty and heartache of artist Suzanne Brennan Firstenberg’s COVID-inspired art installation in NOT EVEN FOR A MOMENT DO THINGS STAND STILL

Each day, walking through those flags, one saw the many hues of humanity. Visitors came from across the nation, even Alaska and Hawaii…and other countries.  Some came in the first-class cabin, others on a Greyhound bus. As I archive the 20,000 dedicated flags, I find flags dedicated in an array of languages and an array of sentiments. Their commonality lies in loss.