THEATRICAL REVIEWS: Daniel Warth's DIM THE FLOURESCENTS is a masterful attempt at portraying the negotiation of sexual tension and desire
Dim the Fluorescents is officially on my list of per-annum must-watch with a pint of ice cream films of the “essential popular feminist” canon that manage to blend this kind of messaging with a compelling narrative. Not because it doesn’t transcend the boundaries of Hollywood to be in essence a work of contemporary art film or an underground film (it does).