Hot Springs Documentary Film Festival

Citizen Ashe Opens the 2021 Hot Springs Documentary Film Festival, with films and honorees for 30th Anniversary edition

“Our thirtieth anniversary program reflects the values we aspire to as a festival. We’re moving into the next thirty years with a renewed vision of documentary creation and the impact documentary filmmaking can have on our world,” said HSDFF Executive Director, Jennifer Gerber. “There is always a heightened energy and anticipation during anniversary years and this year’s films, our stellar trio of honorees, and the panels, events, activities, parties, and more that our staff has put together point to a truly exceptional film festival.”

Questlove’s SUMMER OF SOUL: Hot Springs Documentary Film Festival joins the Juneteenth celebration

HSDFF Executive Director Jennifer Gerber, said, “I cannot imagine a better film than Summer of Soul to celebrate Juneteenth in Hot Springs. We are honored to be part of a collaborative event that unites the community to commemorate this significant date. Questlove’s directorial debut is one of the most anticipated documentaries of the year and we are ecstatic to share this film which captures such an amazing event with a gorgeously vivid presentation with Hot Springs’ audiences.”

Greta Hagen-Richardson joins Hot Springs Documentary Film Festival: starts 30th Anniversary preparations by adding new Director of Programming and Executive Director

Gerber commented, “We could not be more delighted to add Greta to our team. She has quickly made a mark through her work at a number of prominent film festivals with a reputation for unearthing new voices and championing inclusion. We look forward to her bringing that curatorial vision to Hot Springs. Despite the challenges brought about by the pandemic last year, the Hot Springs Documentary Film Festival continued growing in reach, impact, and innovation.

Dawn Porter’s JOHN LEWIS: GOOD TROUBLE among top honors at Arkansas film festivals Top Ten Films of 2020

To highlight the great work of filmmakers during a challenging year for the film industry, film fans, and everyone else, the Artistic Directors and programmers from the Bentonville Film Festival and the Hot Springs Documentary Film Festival have joined forces to announce their combined choices for the Top Ten Films of 2020 to call attention to some of their favorite films released in theaters, drive-ins, and online this year.

Nolan Dean talks RAP SQUAD: HOT SPRINGS DOCUMENTARY Film Fest INTERVIEW; hip-hop and spoken word to heal community

In the interview, I talk to Dean about his relationship with director Nathan Willis and what his role as producer entailed on RAP SQUAD. We also discuss the insecurity regarding their own insight and perspective that led to a desire by Dean and Willis, who are white, to find a black editor to work on the film. We also talk about ensuring that you don’t manufacture good guys versus bad guys who aren’t really there.

Yi Chen’s FIRST VOTE: HOT SPRINGS DOCUMENTARY Film Fest INTERVIEWS; electoral process from Chinese Americans perspective

In the interview, I talk to Chen about how she found her subjects and gained their trust and willingness to participate in her film, as well as her approach with her subjects in terms of challenging them on camera when they would make erroneous statements about policy. We also talk about her filmmakers’ focus on getting the shot and the sound, even as an interview subject is propping up an AK-47 on a wall next to herself during an interview like it was a rake or something.

Anabel Rodrigues Rios’ ONCE UPON A TIME IN VENEZUELA: HOT SPRINGS DOCUMENTARY Film Fest INTERVIEWS; villagers of Congo Mirador struggle with pollution

In the interview, Rios and I talk about the film being an “act of resistance”, as well as how the film also lends some insight into what is happening in this country at this very moment. We also talk about Rios’ relationship with the two main subjects, how that managed within the considerations of her own politics versus theirs, and how she approached filmmaking while hiding her own anger over the political machinations at that time.

Minna Dufton’s BIG VS SMALL at HOT SPRINGS DOCUMENTARY Film Festival INTERVIEWS; giant wave surfer in Portugal, Joana Andrade

In the interview, Dufton and I talk about the challenges in capturing what she needed for the film and managing that relationship throughout the filing process. We also discuss filming and moviemaking in extreme environments to not just get footage but to get it as safely as possible, as well as the tenuous nature of directing by webcam.

Nathalie Bibeau’s THE WALRUS AND THE WHISTLEBLOWER at HOT SPRINGS DOCUMENTARY Film Fest INTERVIEW; trainer at Canada’s Niagara Falls Marineland takes them on

In the interview, Bibeau and I talk about Phil Demers, the former trainer of Smooshi, and her working relationship with him as the “star” of her film and how she set the boundaries with him. We also discuss her approach to the project in terms of strategy to follow a developing story without an obvious end, thoughts on open endings in documentaries, Finally, we zero in on a couple moments that she loved.

Lisa Molomot and Jeff Bemiss’ MISSING IN BROOKS COUNTY at HOT SPRINGS DOCUMENTARY Film Fest INTERVIEW; explores immigration

In the interview, I talk to Molomot and Bemiss about their real on-the-ground approach to filmmaking as a tandem, the challenge of finding this film’s “story,” the beauty of having an editor who has “distance” from the director(s) to add an objective eye, and Kate Spradley, one of the film’s subjects, also weighs in on what it was like to have their cameras focused on her as she tried to solve these mysteries. All of them talk about the cameras catching “human moments” and what leads to accomplishing that.