In the interview, Dufton and I talk about the challenges in capturing what she needed for the film and managing that relationship throughout the filing process. We also discuss filming and moviemaking in extreme environments to not just get footage but to get it as safely as possible, as well as the tenuous nature of directing by webcam.
Big vs. Small feels like one long Buddhist meditation. The gentle in-and-out flow of breath mirrors the rhythm to the film’s edit. The lap of waves on camera perform a sort of hypnotic metronome for audiences. This quality gives measured pacing to the film overall and gives the audience chances to take in the scope and velocity of some truly massive surfing waves, but also chances to listen to Andrade. It’s fantastically cut together stringing together footage from wildly different camera sources as it shows different highlights of her surfing.
