Out on Film

Atlanta’s LGBT Fest, Out on Film, Announces Call for Entries for 2023

Out on Film Festival Director Jim Farmer said, “Last year’s 35th Anniversary celebration highlighted what our filmmakers and audiences have come to rely on when they attend Out on Film – a celebration, here in Atlanta of the best in LGBTQ cinema, wonderful conversations on films with our honorees, like last year’s ICON honoree, Colman Domingo, and simply screenings and events that immerse everyone in the joy we all receive from seeing great films and meeting the people who have made those films.”

Out on Film, Atlanta’s LGBTQIA+ film festival 2022 hands out awards, honors Colman Domingo

Out on Film Festival Director Jim Farmer said, “This year’s 35th Anniversary celebration was just that – a celebration of what our audiences and attending filmmakers have come to look forward to each year, here in Atlanta as they enjoy our film festival. Our award-winning films exemplified that and the wonderful time we had with ICON Award honoree Colman Domingo put the entire thing over the top. We’ll have our work cut out for us to match the experience at this year’s festival.”

Atlanta’s OUT ON FILM rolls out impressive lineup of films and events for 35th Anniversary edition

Out on Film Festival Director Jim Farmer said, “Our 35th Anniversary presentation will hit all the notes that Out on Film has become celebrated for over the past four decades, with a wonderful combination of films from around the world, as well as from our amazing city of Atlanta. We’ve got a great honoree in Colman Domingo who somehow will manage to be on hand in the middle of his incredibly packed production schedule, and new wrinkles in store, including our very first screenplay competition coupled with a queer filmmaker celebration.”

Marley Morrison’s Sweetheart among winners at Atlanta’s LGBTQ Film Festival Out on Film wraps up 2021’s hybrid edition with Filmmaker Awards announcement

Out on Film Festival Director, Jim Farmer, said, “This year’s award winners spanned styles, genres, and inspirations, as we recognized the work of both veteran filmmakers and relative newcomers with our awards. It really was an inspiring mix and rightly deserved group that received both jury and audience nods this year.”

Jonas Poher Rasmussen’s Flee among films in Atlanta’s Out on Film and GLAAD Festival

the production and presentation details for both our in-theater and online virtual screenings, we also continue to work to ensure that we have left no stone unturned when it comes to the films we offer each year. When you have an opportunity to add one of the year’s top award winners, an anniversary of a signature film, another film with a true icon of cinema front and center, and another world premiere, then you just have to do it. Add to that, being able to join forces with an organization like GLAAD on behalf of a truly special film like Keep the Cameras Rolling: The Pedro Zamora Story? Well, that can’t help but add an amazing exclamation point on everything!

Peeter Rebane’s Firebird Opens Atlanta’s LGBTQ film festival, Out on Film, rolls out film lineup for next month’s hybrid presentation

wonderful knowing we have such an expansive, international lineup of films to present both in-theater as well as virtually. As one of the few film festivals that are still growing despite all of the challenges present, we are thrilled with this international lineup, including our world premieres and more films we can’t wait to introduce our audiences to.”

Atlanta’s LGBTQ film festival, Out on Film announces Call for Entries for this year’s 34th edition

“Last year presented with us with one of the biggest challenges we ever faced – how to pivot an 11-day film festival into a mostly virtual one,” says Jim Farmer, festival director of Out On Film. “We were able to not only successfully do so without having to scale down our event, but actually added to the number of filmmakers that could participate in virtual Q&As from all over the world.”

Lisa Donato’s GOSSAMER FOLDS: Film Review from OUT ON FILM 2020; delivers warm 80s story of underdogs helping each other out

Scott and Grey are so, so good that it’s their dynamic that matters. As a dictionary-obsessed only child, Scott spits out ten-dollar vocabulary words with hilarity and accuracy, while Grey portrays a powerful woman who may get irritated with less-enlightened folks but rarely sees herself as any kind of victim.

Hong Khaou’s MONSOON: Review from OUT ON FILM 2020; a reprieve from the loudness of modern cinema

What stuck with me beyond themes of cultural identity or expat aimlessness were Khaou’s images, often colorful and symmetrical, emphasizing the spaces around Kit, around Vietnam where new capitalism is fast encroaching on old traditions. There are many words about how fast and how much the country is changing, and you get the impression there’s both good and bad to be had in so much memory being lost to the march of time.