Mia Goth Resurrects Herself in Guillermo del Toro’s Frankenstein: How the Queen of Horror Made the Grotesque Gorgeous
From Nymphomaniac to Pearl to Frankenstein, Mia Goth has turned screaming into cinema’s purest love
Theatrical Review: Ti West’s MAXXXINE Brings Us Back to the Dirty Streets of Gen X’s Hollywood, and It’s Delightful
Ti West’s MAXXXINE Brings Us Back to the Dirty Streets of Gen X’s Hollywood, and
SHORTS and to The Point: Jessica Curtright and Santiago C. Tapia ’s IT BEGAN WITHOUT WARNING instantly grabs you by the bloody shorthairs
We write and edit together – 2 people but like one brain really. We read a while ago that the Coen brothers edit with 2 keyboards plugged into the same computer. We thought, “that’s interesting, why not give it a try,” and it stuck. That’s how we write and edit.
SHORTS and to the Point: Matt Mercer’s FEEDING TIME serves up a tasty scares + laughs cinematic snack
Even if people aren’t chortling their heads off, I think the lightness and quirkiness plays. And the main reason I say my concern was mostly with the laughs is because I think first introducing some buoyancy into the proceedings opens the audience up for the scares later. I think it makes the scares more impactful as the film plays out.