Director Rama Rau was a documentarian prior to this, and it remains her sole fiction feature to date. This likely gives her an edge in knowing what audiences will and won’t read as B.S. Yes, HONEY BEE understands narrative structure, and with careful editing and scoring, puts the viewer subjectively into Natalie’s head. But it’s not interested in creating artificial cinematic heroes.
Walford added, “We love being part of the international movement to showcase female filmmakers and we know we must continue our efforts with even more force so that we change the filmmaking industry in hiring an equitable gender ratio. Our goal has always been to show the range of the female storyteller, and the depths to which women can take us via their work in film- whether it be emotional, visual, introspective, startling, shocking, and horrific.
Approach your regional film festival tour exactly as you would if all things were business as usual, BUT with much more management and care over your film. (And frankly, you should have been doing this anyway, but no one’s giving you side eye here so carry on…)
“This week’s films as well as the featured panels share a universal idea and experience of dealing with a new situation or in some cases – a new world order,” Executive Director Melanie Addington said. “Sometimes the effort to sort things out can be wryly and darkly funny and sometimes it can surprise us and inspire us to reach goals we never previously thought we could attain. And sometimes, just talking about it and hashing things out can do us a world of good.”
The 2020 edition of Dallas’ Best of Fests doubled down on the remarkable fact that the film festival, which incorporated more than two dozen of Dallas, Fort Worth, and North Texas’ film festivals was accomplished last year, by managing to produce a robust sequel this year. There is a rare collegial relationship between the vast majority of the film festival heads in the area and many of them share several seasonal staffers, volunteers, and, of course, audience members.
Best of Fests Festival Producer Erin Nicole Parisi said, “It was remarkable that this special film event was accomplished last year and the fact that we have been able to bring everyone together once again speaks to something truly wonderful and unique about the film festival and film loving community in Dallas, Fort Worth and North Texas. These films represent the wide range of styles, interests, storytelling, and entertainment that the amazing array of film festivals throughout this area bring to audiences all year long.”
The heads of prominent Dallas and North Texas Film Festivals announced their selections for the Top Ten Films of 2019 during WFAA’s Midday at 8 news broadcast today with Olivia Wilde’s BOOKSMART, Bong Joon Ho’s PARASITE, and Quentin Tarantino’s’ ONCE UPON A TIME…IN HOLLYWOOD taking the top three spots among films released in 2019.
The Billy the Kid Film Festival today officially announced the film lineup for the first edition of the film festival, taking place in Hico, Texas, on November 1-2. Celebrating independent film, international cinema, and filmmakers with an independent spirit to match the fest’s namesake, the Billy the Kid Film Festival will present films from around the world, films that have a distinctly Texas-flavor to them, and films that will engage, entertain, and surprise audiences.
Women Texas Film Festival Founder and Artistic Director Justina Walford said, “I am in love with this jury. Each juror added wisdom and gravitas, but most importantly used their love of filmmakers to be the focus of their decisions. As always, we want to not simply screen films envisioned and created by women, but to push forward the risk takers. And this group of films and the filmmakers that created them earned the right to be singled out via these awards.”
WTxFF Founder and Artistic Director Justina Walford said WTxFF Founder and Artistic Director Justina Walford said, “It is getting harder and harder to contain within four days all of the amazing films I find. Women Texas Film Festival has grown every year and we have nearly doubled in content. Three locations. 17 features. So many short films that we selected out of an ocean of compelling short film submissions. And since our goal is to show the range of the female storyteller, you will see every genre, every style. The notion of gender behind the camera takes a backseat to the grit, emotion, and vision projected on the screen. As it should.”
