TOMORROW’S HOPE turns some heads at SXSW EDU 2022

Executive produced by the Saul Zaentz Charitable Foundation, Tomorrow’s Hope looks at the journey three high school seniors in Chicago took from being part of the innovative Educare preschool’s first-ever class to graduation. The film explores how they each navigated challenges and unforgiving roadblocks that children in that area have traditionally had, while also delving into the lingering ripple effects from their early childhood education. The audacious educators (originally from the community themselves) describe the school’s harrowing yet remarkable early stages when it was located within “Forgot-onia” – a name used to describe its home within the largest housing project in the country, in the nation’s single poorest census tract. But as dangerous and oppressive as these external surroundings may have seemed, the literal beauty and brightness of this remarkable learning center welcomed the children and provided them with an entirely different message: “you matter.”

Tomorrow’s Hope producers Tamra Raven and Aaron Steinberg were joined for their screening at SXSW EDU by one of the film’s outspoken subjects Portia Kennel to talk about the film, what it took to make it, and the ongoing issues and hurdles that teachers face as we attempt to not simply educate children, but also take care of the people charged with that responsibility of teaching them.

Certain themes came up repeatedly both during the Q&A itself as well as afterward with a number of people talking to Portia and the filmmakers. Increasing teachers’ pay. Valuing the experience, patience, and skill it takes to properly teach and care for young children to prepare them for their next education levels as well as socialization. The Educare model in Chicago and how it might be able to be applied and executed elsewhere.

The TOMORROW’S HOPE post-screening Q&A with Portia Kennel, Tamra Raven, and Aaron Steinberg (Photo by Wildman)
Producers Tamra Raven and Aaron Steinberg listening to Portia Kennel giving some wisdom. (Photo by Wildman)
TOMORROW’S HOPE subject Portia Kennel (Photo by Wildman)
Tamra Raven explains some of the challenges with getting TOMORROW’S HOPE made. (Photo by Wildman)
TOMORROW’S HOPE producer Tamra Raven (Photo by Wildman)
Aaron Steinberg talks about the role music played in telling the story of the Educare project (Photo by Wildman)
TOMORROW’S HOPE producer Aaron Steinberg (Photo by Wildman)
TOMORROW’S HOPE producers Tamra Raven and Aaron Steinberg (Photo by Wildman)
Getting that poster shot.. (Photo by Wildman)
Portia Kellel joins Tamra Raven for the poster shot. (Photo by Wildman)
Another one of the film’s subjects, Kim Ptak, joins producer Tamra Raven for a photo. (Photo by Wildman)
Filmmakers and subjects: Tamra Raven, Aaron Steinberg, Portia Kennel, Kim Ptak (Photo by Wildman)
Post Q&A Kim Ptak talks with the SXSW EDU moderator. (Photo by Wildman)
A lot of people had more questions for Portia Kennel. And she had a lot to say. (Photo by Wildman)
More post Q&A talk. (Photo by Wildman)
Portia Kennel explaining it all for you… (Photo by Wildman)
The finish line (L to R): TOMORROW’S HOPE producer Aaron Steinberg, film subjects Portia Kennel, KIm Ptak,
and producer Tamra Raven. (Photo by Wildman)