Miguel Cima

BENTONVILLE FF REVIEW: Jen Rainin and Rivkah Beth Medow’s AHEAD OF THE CURVE follows incredible rise of lesbian-focused Curve and founder, Franco Stevens

19th Aug, 2020

VOD Reviews

VOD REVIEWS: Galder Gaztelu-Urrutia’s feature film debut, THE PLATFORM is horror, sci-fi activism, and Orwellian dystopia done sublimely

11th May, 2020

VOD Reviews

VOD REVIEWS: Robert Egger’s THE LIGHTHOUSE is a masterfully crafted nightmare

4th May, 2020

VOD Reviews

VOD REVIEWS: Paul Urkijo Alijo’s THE DEVIL AND THE BLACKSMITH (ERREMENTARI) is a brimstone-tinged horror gem to be uncovered on Netflix

4th May, 2020

Theatrical Reviews

TRIBECA 2019 REVIEWS: Mark Webber’s THE PLACE OF NO WORDS is a brave and risky excursion into fantasy as grief and loss are navigated

8th Jun, 2019

Theatrical Reviews

TRIBECA 2019 REVIEWS: Hari Sama’s THIS IS NOT BERLIN is a turbulent coming-of-age story set against a familiar 80s backdrop

8th Jun, 2019

Theatrical Reviews

TRIBECA 2019 REVIEWS: Lara Jean Gallagher’s CLEMENTINE focuses on the complicated emotional mechanics intertwined in the romance between two women

8th Jun, 2019

Theatrical Reviews

TRIBECA 2019 REVIEWS: Joe Begos’ BLISS is a dizzying horror film making the vampire/addict connection

6th Jun, 2019

Theatrical Reviews

TRIBECA 2019 REVIEWS: Yu Gu’s A WOMAN’S WORK: THE NFL’S CHEERLEADER PROBLEM details the fight between the NFL and the women that cheer for its teams

6th Jun, 2019

Theatrical Reviews

TRIBECA 2019 REVIEWS: Shosh Shlam’s & Hilla Medalia’s excellent LEFTOVER WOMEN looks at how the Chinese “force” women to marry

6th Jun, 2019