Theatrical Reviews TRIBECA 2018 REVIEWS: Dominique Rocher’s THE NIGHT EATS THE WORLD discovers a new horror about surviving a zombie apocalypse 24th Apr, 2018
Theatrical Reviews SLAMDANCE 2018 REVIEWS: Pascal Plante’s feature film debut FAKE TATTOOS delivers a real romance between young people – and that might make you uncomfortable 6th Mar, 2018
Theatrical Reviews SUNDANCE 2018 REVIEWS: Christian Frei and Maxim Arbugaev’s documentary GENESIS 2.0 feels like a narrative film as two brothers mine mammoth tusks for two starkly different reasons 6th Mar, 2018
Theatrical Reviews SUNDANCE 2018 REVIEWS: Tolga Karaçelik’s BUTTERFLIES is an exceedingly black comedy masterfully disguised as just a kind-of black comedy 31st Jan, 2018
Theatrical Reviews SLAMDANCE 2018 REVIEWS: Christina Kallas's THE RAINBOW EXPERIMENT is an edgy, and dizzying exploration of the aftermath of a tragic high school accident 31st Jan, 2018
10 Burning Questions TEN BURNING QUESTIONS: Cullen Hoback’s WHAT LIES UPSTREAM offers a primer on documentary investigation and inspiration for activation for Films Gone Wild 19th Jan, 2018
Streaming Reviews VOD REVIEWS: Cullen Hoback's WHAT LIES UPSTREAM will make you question every bottle of water you take a drink from. Mmmmm, refreshing! 11th Jan, 2018
Streaming Reviews VOD REVIEWS: Paul Taylor's DRIFTWOOD is a dialogue-free mediation on the cycle of control and abuse for both the oppressor and the oppressed 22nd Nov, 2017
Uncategorized THE GUEST COLUMN: Watching Nacho Vigalondo's COLOSSAL (on VOD now) in the #metoo Era 21st Nov, 2017
Theatrical Reviews New York Film Fest 2017 REVIEWS: Barbet Schroeder’s THE VENERABLE W. is a portrait of the racist Buddhist monk instrumental in Myanmar’s ethnic cleansing as well as a reflection of what’s currently in play in the USA 10th Oct, 2017
