Theatrical Reviews TRIBECA 2017 REVIEWS: Zefrey Throwell and Josephine Decker’s FLAMES, is a doc/narrative hybrid depicting a couple "arting" themselves to death 1st May, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Kevin Phillips ‘s SUPER DARK TIMES is a dramatic thriller thinly disguised as a suspense piece without easy characters or nifty resolutions 1st May, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Marc Meyers's MY FRIEND DAHMER examines the real terror behind the creation of a killer 25th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Oren Jacoby’s engaging documentary SHADOWMAN doggedly profiles New York's enigmatic East Village artist, Richard Hambleton 24th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Julia Solomonoff's NOBODY'S WATCHING sidesteps escapist gags or Oscar-hounding histrionics, delivering subtle realism, patiently uncomfortable scenes, and a whole lot of empathy 17th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Elina Psykou's SON OF SOFIA takes us into the deeply dark realm of an abused and neglected child’s imagination 17th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Julian Rosefeldt's MANIFESTO is an ambitious avant garde experimental feature film that works as a mosaic and doubles as a video installation. It's also REALLY good. 12th Apr, 2017
Theatrical Reviews THEATRICAL REVIEWS: Jenny Gage's ALL THIS PANIC travels through teenage girlhood in all of its confusing, brilliant realness 12th Apr, 2017
Theatrical Reviews Uncategorized DIFF 2017 REVIEWS: Mark Palansky ‘s REMEMORY is the rare sci-fi film/emotional drama hybrid that gets the balance right 7th Apr, 2017
Theatrical Reviews Dallas International Film Fest 2017 REVIEWS: Guðmundur Arnar Guðmundsson’s debut feature film, HEARTSTONE is a grand achievement 7th Apr, 2017
