Jake Mestre

TEN BURNING QUESTIONS: Our interview with first-time director Cati Gonzalez of EKAJ opens a window in to the madness and method behind the jazz-improvisation

When I picked Mecca, I had already written about a guy with AIDS. It was rough for me because [actor Badd Idea] has AIDS. Every scene, I would pass it by him before [filming]. I’d ask, “Are you OK saying that?” Even though he was outspoken about [his disease]. So, it was rough. Jake grew up while we were making the movie. If I could do it again, I know [now] how I would do it [differently]. But I like challenges. I’m very extreme [when it comes to] challenges.

WOMEN TEXAS FILM FESTIVAL 2017 REVIEWS: Cati Gonzalez ‘s EKAJ is a bold, harrowing film about life on the streets that makes most Hollywood films look “soft”

Allowing oneself to be basted in the film’s world is transformative. Never again will you look at “bums” and “degenerates” in a one-dimensional way. Because now, you’ve lived with them. Forget the soft edges and Hollywood dazzle of films like Midnight Cowboy or My Own Private Idaho. Such works don’t dare to delve into the filmic poetry and crushingly honest depictions which EKAJ achieves.